Home Please Don't Tell Me How The Story Ends: The Publishing Demos 1968-72
Kris Kristofferson
Please Don't Tell Me How The Story Ends: The Publishing Demos 1968-72
LITA050CD
- Previously unreleased material.
- Project undertaken with full approval of Kris Kristofferson.
- 60-page full-color CD booklet featuring interviews with Kristofferson and the musicians that were present at the sessions, testimonials from Dennis Hopper and Merle Haggard, full lyrics with notes from Kristofferson, rare photos and hand-written lyric sheets.
- Liner notes written by Michael Simmons (MOJO, LA Weekly, Huffington Post).
- Double-LP release is on 180-gram vinyl.
Description
For the past five years, Light In The Attic has embarked on a dream project – working with the blessing of the legendary Kris Kristofferson to compile a selection of his demos from the late 1960s and early ‘70s. The recordings found on this compilation of previously unreleased material include early versions of songs that would become standards of his impressive catalog. This release is an intimate portrait of an important artist at the beginning of a long, storied career.
For the past five years, Light In The Attic has embarked on a dream project – working with the blessing of the legendary Kris Kristofferson to compile a selection of his demos from the late 1960s and early ‘70s. For our 50th release, we are proud to present this 16-song collection, an amazing snapshot of the formative years of one of the giants of contemporary American music. The recordings found on this compilation of previously unreleased material include early versions of songs that would become standards of his impressive catalog. Included on this title are: “Me and Bobby McGee,” “Just The Other Side of Nowhere,” “Come Sundown” and “Please Don’t Tell Me How The Story Ends.” This release is an intimate portrait of an important artist at the beginning of a long, storied career.
Artist Bio
Rhodes Scholar. Boxer. Army officer. Helicopter pilot. Janitor. Songwriter. Musician. Actor. Kris Kristofferson has lived a life full enough for several men. He has followed his own uncompromising path, and in doing so, crafted a career and legacy impossible to duplicate. Try to measure the breadth of his achievements, look at the unlikely turns his life has taken, take stock of the boundless confidence and self-belief of a man who refused the idea of a life with limitations, and think of one of his contemporaries who accomplished what he has. Now think of a similar figure today. Blank stares abound. It is through his music, however, that Kristofferson proved himself a man apart. He wrote songs that were covered by the likes of Ray Price (“For the Good Times”), Waylon Jennings (“The Taker”), Bobby Bare (“Come Sundown”), Johnny Cash (“Sunday Morning Coming Down”) and Janis Joplin (“Me and Bobby McGee”). They were all huge hits for the musicians who recorded them. That was no fluke. Few songwriters have his gift for melody and storytelling. But he has proven to be more than a talented songwriter. Kristofferson is a gifted performer in his own right, both as a musician and an actor (he won a Golden Globe for his performance in “A Star Is Born”). It is a designation that is used far too casually, but it would not be hyperbole to call him an icon. For few have lived a life of possibilities realized, and come as close to the embodiment of the Great American Life.
